Daniela Miscia
The courtyard
Presentation Arturo Bernava
Cover by Antonio D'Erasmo
Editions Tabula fates
[ISBN-978-88 -7475-209-6]
Page 200 - € 14.00
Clelia is beautiful, intelligent, self-possessed. She has a husband, attractive, intelligent, educated, successful, and a son of five years, absolutely perfect. Clelia want more than anything to be a woman of class and be surrounded by things that constantly remind him, as if that condition "perfect" a refuge from fears and anxieties that has never been able to appease.
Magdalene is beautiful, rich and unscrupulous. She has a husband who is twice his age and a son born of the union first. Maddalena want more than anything else but normalcy hides it, along with her daily fears, behind an arrogant and mischievous.
Flora is a woman satisfied and serene. She has a husband, a musician and a son he adores. There is nothing more than the serenity Flora desires he already has and that spreads around him.
Three women, three different lives played according to principles nearly antithetic, which distance Clelia Magdalene and Flora because it responds to the fees that you have set.
allow others to enter into their lives governed by appearance and social life could change in Clelia, albeit slightly, the perception of what until then seemed right and good, but it is good and right. The acceptance of different takes on
then a huge value and impassable, as the steps that divide the two houses, two families, two lives, only to recompose the end, following the reasons of the heart.
Magdalene is beautiful, rich and unscrupulous. She has a husband who is twice his age and a son born of the union first. Maddalena want more than anything else but normalcy hides it, along with her daily fears, behind an arrogant and mischievous.
Flora is a woman satisfied and serene. She has a husband, a musician and a son he adores. There is nothing more than the serenity Flora desires he already has and that spreads around him.
Three women, three different lives played according to principles nearly antithetic, which distance Clelia Magdalene and Flora because it responds to the fees that you have set.
allow others to enter into their lives governed by appearance and social life could change in Clelia, albeit slightly, the perception of what until then seemed right and good, but it is good and right. The acceptance of different takes on
then a huge value and impassable, as the steps that divide the two houses, two families, two lives, only to recompose the end, following the reasons of the heart.
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